For the “published piece that
explains either about how to write in that Genre or how to teaching writing in
that genre” part of the unknown genre project, I read “HOW TO I WRITE A
STEAMPUNK STORY” by Dru Pagliassotti on
the “Steamed! Writing Steampunk Fiction” website.
A lot of what the author said is
kind of obvious to anyone who has read a good bit of the fiction (as I have
myself by this point). He did, however,
make two very interesting points.
One is that a Steampunk piece must
have two things to be an authentic steampunk story. One is “steam” (Victorian-era technology) and
the other is “punk”, (rebellion or defiance).
If either element is missing, according to this author, then what you
have is “steampulp” instead. Somewhat like calling the “Star Wars” movies “Science
Fantasy” instead of Science Fiction, one might think. “Pulp” brings to mind images of black and
white SF movies from the 50s, or the stories one might read in “Fantasy and
Science Fiction Magazine” in the 40s.
That’s not necessarily a bad thing, nor do we need to slice our
steampunk definition so thinly in my opinion. There is room for both “real” Steampunk and
steampunk-inspired stores in my universe (both kinds of which I’ve read), and
as long as they’re written well, who cares about the exact definition? That is what I was thinking as I was reading
through the article, and in fact, by the end of it, Mr. Paglassotti says pretty
much the same thing.
The other thing I want to mention
is the following: Mr. Paglossotti says “The challenge is that a number of these
elements have become clichés…” something
I wholeheartedly agree with. I would
think it would be very easy to write bad steampunk. Does a pair of goggles or an airship make a
genre story? Generally, I don’t think so. But again, it comes back to the quality of the
writing: written well enough, a pair of
dusty goggles and / or a high flying balloon might just be enough. While I write this paragraph, I think of
Stanley Kim Robinson’s “Mars” series. In
one of them, (either Red Mars or Green Mars, but not Blue Mars), two of the 100 colonialists who went to Mars are
traveling across the planet by dirigible doing science stuff. While the “Mars” series is Hard SF (and very annoyingly
hard SF, at that), in retrospect, that scene in the balloon travelling across
the red and rock wastelands of Mars, where the red dust is getting everywhere,
is very steampunk-like even though the book itself is not “steamy” at all.
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